Harmony Korine's indie drama Gummo (1997) is like no other film. Harmony Korine Films the Poor for a Fascinating Feature Debut!Ī haunting and humorous look at the forgotten poor. Korine's willingness to explore the borderlands of feature filmmaking has resulted in a beautiful and challenging film whose haunting images remain long after it's over.Īfghanistan, Albania, Algeria, Andorra, Angola, Anguilla, Antigua and Barbuda, Argentina, Armenia, Aruba, Australia, Austria, Azerbaijan Republic, Bahamas, Bahrain, Bangladesh, Belgium, Belize, Benin, Bermuda, Bhutan, Bolivia, Bosnia and Herzegovina, Botswana, Brazil, Brunei Darussalam, Bulgaria, Burkina Faso, Burundi, Cambodia, Cameroon, Canada, Cape Verde Islands, Cayman Islands, Central African Republic, Chad, Chile, China, Colombia, Costa Rica, Cyprus, Czech Republic, Côte d'Ivoire (Ivory Coast), Democratic Republic of the Congo, Denmark, Djibouti, Dominican Republic, Ecuador, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Ethiopia, Fiji, Finland, France, Gabon Republic, Gambia, Georgia, Germany, Ghana, Gibraltar, Greece, Greenland, Grenada, Guatemala, Guinea, Guinea-Bissau, Guyana, Haiti, Honduras, Hong Kong, Hungary, Iceland, India, Indonesia, Ireland, Israel, Italy, Jamaica, Japan, Jordan, Kazakhstan, Kenya, Kiribati, Kuwait, Kyrgyzstan, Laos, Latvia, Lebanon, Lesotho, Liberia, Liechtenstein, Lithuania, Luxembourg, Macau, Macedonia, Madagascar, Malawi, Malaysia, Maldives, Mali, Malta, Mauritania, Mauritius, Mexico, Moldova, Monaco, Mongolia, Montenegro, Montserrat, Morocco, Mozambique, Namibia, Nauru, Nepal, Netherlands, New Zealand, Nicaragua, Niger, Nigeria, Norway, Oman, Pakistan, Panama, Papua New Guinea, Paraguay, Peru, Philippines, Poland, Portugal, Qatar, Republic of Croatia, Republic of the Congo, Romania, Rwanda, Saint Helena, Saint Kitts-Nevis, Saint Lucia, Saint Pierre and Miquelon, Saint Vincent and the Grenadines, San Marino, Saudi Arabia, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Slovakia, Slovenia, Solomon Islands, South Africa, South Korea, Spain, Sri Lanka, Suriname, Swaziland, Sweden, Switzerland, Taiwan, Tajikistan, Tanzania, Thailand, Togo, Tonga, Trinidad and Tobago, Tunisia, Turkey, Turkmenistan, Turks and Caicos Islands, Uganda, United Arab Emirates, United Kingdom, United States, Uzbekistan, Vanuatu, Vatican City State, Vietnam, Wallis and Futuna, Western Samoa, Yemen, Zambia, Zimbabwe These techniques harken back to filmmakers such as Werner Herzog and John Cassavetes, both of whom Korine cites as influences.

GUMMO's gritty realism is enhanced by director Harmony Korine's use of real locations in and around Nashville, Tennessee, and his use of nonprofessional local actors in many of the film's roles. Xenia and its inhabitants have never quite recovered from the tornado that ripped the town apart 20 years ago the place remains inside out, raw, and shattered. Solomon's mother (Linda Manz, of DAYS OF HEAVEN, a film that GUMMO's dreamlike imagery evokes) tap-dances, local teen siren Dot (Chloë Sevigny) puts tape on her nipples, and Bunny Boy (Jacob Sewell) explores the desolate suburban landscape on his skateboard, wearing pink rabbit ears. The town's other residents find their own amusements. In the small impoverished town of Xenia, Ohio, Solomon (Jacob Reynolds) and Tummler (Nick Sutton) spend their teenage boyhood killing cats, sniffing glue, and generally trying to alleviate their boredom. More a poetic collage than a narrative story, GUMMO presents the viewer with a lavish feast of images-some disturbing, some gorgeous, all memorable.

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